Introduction to a Poetics of Diversity (2020), published by Liverpool University Press, has been cited 54 times — enough that OpenAlex puts it in the top 10% of works in its field and year.
Introduction to a Poetics of Diversity by Édouard Glissant was published by Liverpool University Press in 2020. Conceptually, the work connects to Poetics, Creolization, Identity (music), Literature and TRACE (psycholinguistics).
OpenAlex records 54 citations. That places it in the top 10% of works in its field and year of publication. Citations peaked in 2024 with 28 citing works. Notable citing venues include Dancecult, Time & Society and Journal of Postcolonial Writing. The citing works include 23 book chapters, 16 journal articles and 6 books. They come from 10 countries, led by Germany, the United States and the United Kingdom.
Open Library reports a combined count of 2 reading logs and catalog editions. Its subject matter aligns with Reduced inequalities among the Sustainable Development Goals.
Crossref Event Data: historical records unavailable locally—not zero events. The public API was retired on 23 April 2026. Other attention sources may still be shown.
Heuristic signals from citation composition, usage, and media activity. Learn about all roles ↗
Analysis of 54 citing works. 20.4% come from the Top 10 institutions. See the full list on OpenAlex →
No verified course syllabi found in open university repositories.
| Year | Title | Venue | DOI |
|---|---|---|---|
| 2026 | Psyche at Sea: Outline for a Memory in Fragments | CounterText | 10.3366/count.2026.0423 |
| 2025 | Research and/as Relation: Documenting Experiences of Community-Collaborative Researchers in HCI | Proceedings of the ACM on Human-Computer Interaction | 10.1145/3757651 |
| 2025 | Poetics of Oralitura | Unknown | 10.1215/9781478061434-003 |
| 2025 | The Curved Times of Memory | Unknown | 10.1215/9781478061434-002 |
| 2025 | List of Performances and Theatrical Works | Unknown | 10.1215/9781478061434-007 |
| 2025 | Theosophies, Times, and Theories | Unknown | 10.1215/9781478061434-001 |
| 2025 | Bibliography | Unknown | 10.1215/9781478061434-009 |
| 2025 | A Canvas-Body, a Firefly Poetics | Unknown | 10.1215/9781478061434-005 |
| 2025 | Notes | Unknown | 10.1215/9781478061434-008 |
| 2025 | On Spiral Time, Condensations | Unknown | 10.1215/9781478061434-006 |
| 2025 | My Destiny Is to Sing, the Mythopoetic Gesta of the Reinados | Unknown | 10.1215/9781478061434-004 |
| 2025 | Relational time and creolizing eschatology | Time & Society | 10.1177/0961463x251333836 |
| 2025 | Os rastros de Changó no Pacífico Sul colombiano | Horizontes Antropológicos | 10.1590/1806-9983e710406 |
| 2024 | The Aquatic Within | Matatu | 10.1163/18757421-bja00014 |
| 2024 | Vantage Points: Critical Essays, Historiographic Accounts, First-Person Narratives | TURBA | 10.3167/turba.2024.030208 |
| 2024 | It's How You Flip It | transcript Verlag eBooks | 10.1515/9783839466674 |
| 2024 | It's How You Flip It | Studien zur Popularmusik | 10.14361/9783839466674 |
| 2024 | Derek Walcott's Encounter with Homer | Unknown | 10.1093/oso/9780198802549.001.0001 |
| 2024 | Fictions of Race in Contemporary French Literature | Unknown | 10.1093/oso/9780198893134.001.0001 |
| 2024 | Preface | Unknown | 10.1093/oso/9780198893134.002.0005 |
| 2024 | Roots and Routes | Unknown | 10.1093/oso/9780198802549.003.0003 |
| 2024 | Homeric Shadow, H/omeric Light | Unknown | 10.1093/oso/9780198802549.003.0008 |
| 2024 | Introduction | Unknown | 10.1093/oso/9780198802549.003.0001 |
| 2024 | Philoctete | Unknown | 10.1093/oso/9780198802549.003.0005 |
| 2024 | Plunkett | Unknown | 10.1093/oso/9780198802549.003.0006 |
| 2024 | Achille | Unknown | 10.1093/oso/9780198802549.003.0004 |
| 2024 | Copyright Page | Unknown | 10.1093/oso/9780198802549.002.0004 |
| 2024 | The Tribal Poet | Unknown | 10.1093/oso/9780198802549.003.0007 |
| 2024 | An Odyssean Poem | Unknown | 10.1093/oso/9780198802549.003.0002 |
| 2024 | Dedication | Unknown | 10.1093/oso/9780198802549.002.0005 |
| 2024 | Authoring Postcolonial Normality | Unknown | 10.1093/oso/9780198893134.003.0007 |
| 2024 | The Postcolonial as Vanishing Point | Unknown | 10.1093/oso/9780198893134.003.0004 |
| 2024 | Chaos and Convergence | Unknown | 10.1093/oso/9780198893134.003.0005 |
| 2024 | The Universal Invisibility of the French White Writer | Unknown | 10.1093/oso/9780198893134.003.0002 |
| 2024 | Introduction: French Literature and the Unquestioned White Writer | Unknown | 10.1093/oso/9780198893134.003.0001 |
| 2024 | Conclusion | Unknown | 10.1093/oso/9780198893134.003.0009 |
| 2024 | Postcolonial Otobiography | Unknown | 10.1093/oso/9780198893134.003.0006 |
| 2024 | Colonial Detail and Textual (Dys)Function | Unknown | 10.1093/oso/9780198893134.003.0003 |
| 2024 | Calling Out the iNovel | Unknown | 10.1093/oso/9780198893134.003.0008 |
| 2024 | Copyright Page | Unknown | 10.1093/oso/9780198893134.002.0003 |
| 2024 | Tides, Touch, and Care in Collaborative Fieldwork | Environmental Communication | 10.1080/17524032.2023.2296834 |
| 2023 | Cosmological Readings of Contemporary Australian Literature | Directory of Open access Books (OAPEN Foundation) | 10.4324/9781003312154 |
| 2023 | Raving (McKenzie Wark) | Dancecult | 10.12801/1947-5403.2023.15.01.12 |
| 2023 | Ears as Portals: Alternative Realities of Musical Infrastructures (A CTM Festival 2023 Review) | Dancecult | 10.12801/1947-5403.2023.15.01.16 |
| 2023 | Spectacle, Fashion and the Dancing Experience in Britain, 1960–1990 (Jon Stratton) | Dancecult | 10.12801/1947-5403.2023.15.01.13 |
| 2023 | This Track Contains Politics: The Culture of Sampling in Experimental Electronica (Hannes Liechti) | Dancecult | 10.12801/1947-5403.2023.15.01.14 |
| 2023 | Berghain, Techno und die Körperfabrik: Ethnographie eines Stammpublikums (Guillaume Robin) | Dancecult | 10.12801/1947-5403.2023.15.01.15 |
| 2023 | Bibliography | Unknown | 10.1515/9783111128306-005 |
| 2023 | Universality after Universalism | Directory of Open access Books (OAPEN Foundation) | 10.1515/9783111128306 |
| 2023 | The flavours of mixing: Postcolonial literary representations of cooking as a feminine mode of creolization | Journal of Postcolonial Writing | 10.1080/17449855.2023.2233056 |