Folk Horror (2017), published by Liverpool University Press, has been cited 22 times. Beyond that, it is used in teaching.
Folk Horror by Adam Scovell was published by Liverpool University Press in 2017. Conceptually, the work connects to Art, Demon, Art history, Literature and History.
OpenAlex records 22 citations. Citations peaked in 2025 with 10 citing works. Notable citing venues include Monstrum, Journal for Cultural Research and Pasavento Revista de Estudios Hispánicos. The citing works include 16 journal articles and 5 book chapters. They come from 10 countries, led by the United Kingdom, Spain and the United States.
In teaching, it is discussed in 1 recorded lecture. Open Library reports a combined count of 3 reading logs and catalog editions.
The latest English Wikipedia check verified 3 article–work reference matches. These are references or bibliography entries, which may include other editions of the same work; they do not measure readership.
Crossref Event Data: historical records unavailable locally—not zero events. The public API was retired on 23 April 2026. Other attention sources may still be shown.
Heuristic signals from citation composition, usage, and media activity. Learn about all roles ↗
Analysis of 22 citing works. 45.5% come from the Top 10 institutions. See the full list on OpenAlex →
Community platforms and curated expert sources (newsletters, blogs, podcasts), plus historical Crossref Event Data where locally archived.
Book reference verified in this article's references or bibliography. Checked revision.
Book reference verified in this article's references or bibliography. Checked revision.
Book reference verified in this article's references or bibliography. Checked revision.
No verified course syllabi found in open university repositories.
| Year | Title | Venue | DOI |
|---|---|---|---|
| 2026 | Parentescos alternativos: La perra (2017), de Pilar Quintana y El cielo de la selva (2023), de Elaine Vilar Madruga | Pasavento Revista de Estudios Hispánicos | 10.37536/preh.2025.13.2.2798 |
| 2026 | Religion and Mythology in the Cognitive Matrix: Film Sounds as Music | Palgrave studies in audio-visual culture | 10.1007/978-3-032-29683-2_2 |
| 2025 | Grant Allen’s Folk Horror Mediation of the Science and Spiritualist Debate | Humanities | 10.3390/h15010007 |
| 2025 | The Folk Horror and Crime Fiction Hybrid in Heart of Darkness | Hungarian Journal of English and American Studies | 10.2478/hjeas/2025/31/2/2 |
| 2025 | Eerie Landscape Materialities. On Vanishing Land by Mark Fisher and Justin Barton | Studia Litteraria | 10.4467/20843933st.25.007.222038 |
| 2025 | The Short and Beyond: Exploring the Folk Horror Tradition in the British Isles | Microtextualidades Revista Internacional de microrrelato y minificción | 10.31921/microtextualidades.n17a1 |
| 2025 | “Some Things in Their Most Natural State Have the Most Vivid Colors”: Folk Horror and Fungal Overgrowth in the “Unholy Trinity” | Unknown | 10.1007/978-3-031-94398-0_3 |
| 2025 | Oh, Bondage, Up Yours! Punk, urban folklore, and folk horror in Huesera (2022) | Monstrum | 10.7202/1120395ar |
| 2025 | Response: On the Possibility of Collective Resistance in Women-Centred Folk Horror Cinema | Monstrum | 10.7202/1120397ar |
| 2025 | The Earth Rises as the Ashes Fall: Intergenerational Trauma, Femininity, and Rage in She Will (2021) | Monstrum | 10.7202/1120393ar |
| 2025 | Witchcraft, ‘Racecraft,’ and the Demonic: Folk Horror in Mariama Diallo’s Master | Monstrum | 10.7202/1120394ar |
| 2025 | When Records Seethe: Folk Horror, Archival Studies, and Madres (2021) | Monstrum | 10.7202/1120396ar |
| 2024 | Ambivalensi Ketakutan dalam Film Incantation, The Medium, dan Keramat: Kajian Penyimpangan Kenikmatan dan Korelasi Pada Abjek Profan | SAWERIGADING | 10.26499/sawer.v30i2.1374 |
| 2024 | La representación del terror rural en las artes audiovisuales | Área Abierta | 10.5209/arab.95387 |
| 2024 | Walking with Witches: Place, People and Papercut Comics | University of Brighton Repository (University of Brighton) | 10.1007/978-3-031-49955-5_4 |
| 2024 | Sergio Citti’s Mortacci (1989) : Death, Orrore popolare, and the Survival of Paganism | Anabases | 10.4000/12w9o |
| 2023 | Women as witness, victim and villain: multifaceted role-play in Fatal Frame II | Journal for Cultural Research | 10.1080/14797585.2023.2238146 |
| 2023 | Nationhood and the (De)Construction of Mythical England in Ben Wheatley’s Kill List | Amaltea Revista de mitocrítica | 10.5209/amal.83665 |
| 2023 | Ben Wheatley’s In the Earth (2021): Folk Horror as Climate Change Warning | Green Letters | 10.1080/14688417.2023.2260813 |
| 2023 | Folk Horror: New Global Pathways, Edited by Dawn Keetley and Ruth Heholt, University of Wales Press, 2023, 280 pp., $63 USD (pbk.) | Monstrum | 10.7202/1112890ar |
| 2022 | Schaf/Ziege | J.B. Metzler eBooks | 10.1007/978-3-476-05865-2_104 |
| 2021 | “The Landscape Heaved with Unspeakable Terror”: The Weird Presence of the World-Food-System in the Cultural Imaginaries of England and the Caribbean | Unknown | 10.1007/978-3-030-76155-4_4 |