Music on the Move

Short impact summary

Music on the Move, published by University of Michigan Press in 2020, engages with themes linking visual arts and art, as indicated by its concept labels. The book has accrued a moderate scholarly footprint with 16 citations and demonstrates public interest through 23 tracked online events predominantly from Wikipedia and Wordpress.com. Its availability on the Fulcrum platform has corresponded with over a thousand downloads, highlighting meaningful usage alongside visibility in both academic and broader public domains.

Full narrative

Music on the Move’s impact is evident in its balanced presence across scholarly and public arenas. While the total citation count of 16 suggests moderate academic uptake, it is complemented by significant engagement beyond academia, as seen in 23 non-citation events recorded primarily on Wikipedia (19 events) and Wordpress.com (4 events). This mix points to the book resonating with both specialized researchers and a general audience interested in visual arts and art, the primary concept labels associated with the work.

The platform hosting the book, Fulcrum, facilitates its accessibility, contributing to the recorded 1,127 downloads. Although there is no available data on recent download trends, this substantial total suggests a consistent usage pattern since publication. However, the absence of Open Educational Resource (OER) listings or OAPEN download metrics limits a fuller understanding of its distribution in educational or open-access contexts. Nonetheless, the usage data affirms that the book is accessed through established scholarly communication infrastructure, supporting its integration into research and teaching.

The inferred role analysis further nuances the book’s profile by quantifying visibility and uptake dimensions. With a public visibility signal strength of 0.8, strongly bolstered by its event count on platforms like Wikipedia, Music on the Move clearly attracts public-facing attention. Usage-driven uptake is moderately strong at 0.65, anchored by download numbers, while scholarly uptake rests slightly lower at 0.6, reflecting the citation footprint. These differentiated signals highlight a trajectory where public engagement slightly outpaces citation-based scholarly influence.

Absent from the data are any claim signals derived from scite analytics, indicating no information on the nature of the citations—whether supporting, mentioning, or contradicting the book’s content. This gap necessitates caution in interpreting the depth of scholarly endorsement or debate surrounding the work. Still, the combined evidence from usage and public visibility measures suggests that Music on the Move maintains a multifaceted presence, contributing to discourse both within and beyond strict academic boundaries.

In sum, Music on the Move occupies a distinct niche connecting visual arts scholarship with broader cultural conversations, buoyed by moderate citation metrics and strong visibility through online engagement. Its publication through University of Michigan Press and hosting on Fulcrum positions it well within academic infrastructure, while the event data underscores its appeal to non-specialist audiences. Future data on OER integration or more granular citation analysis would further clarify its impact trajectory.