The book "Music on the Move," published by the University of Michigan Press in 2020, has begun to establish its presence within academic discourse, evidenced by its scholarly uptake, which includes 16 citations. Although there are no recorded community discussions or mentions across platforms like Wikipedia, Reddit, or Bluesky, its commercial linkage is notable, existing on platforms such as Amazon and Goodreads.
Published in 2020 by the University of Michigan Press, "Music on the Move" represents an important scholarly contribution to contemporary discourse in music studies. The book has garnered visibility within academic circles, recording 16 citations since its release. This indicates a growing recognition of its content and relevance to ongoing discussions within the field.
Despite the lack of public engagement metrics such as mentions on Wikipedia or threads on social media platforms, the book’s commercial presence on platforms like Amazon and Goodreads signifies an interest beyond strictly academic avenues. This commercial linkage suggests that while academic discourse is developing, there is potential for broader societal engagement with its themes.
Moreover, the book's uptake is a testament to its scholarly relevance, contributing to the conversations that shape musicology and related disciplines. The 16 citations reflect an academic interest that could foster further exploration in future research endeavors, laying the groundwork for deeper inquiry into the themes presented within the work.
In summary, while "Music on the Move" may not yet have established a wide public discourse, its academic citations and commercial availability illustrate a foundational impact. As scholars engage with the text, it holds the potential to influence future studies and discussions, enhancing its visibility and contribution to the field over time.
Heuristic classification from citation composition / usage signals. Not based on full text.
This work has 7 recorded events globally
(See specific sources and examples in the Online Mentions section below).
No verified course syllabi found in open university repositories.
| Year | Title | Venue | DOI |
|---|---|---|---|
| 2021 | Encounters with Music in Rudolf II's Prague | Austrian History Yearbook | 10.1017/s0067237821000126 |
| 2023 | Ethnicize and Historicize: Thoughts on Anti-Racist Pedagogy and Post-Secondary Music History | MUSICultures | 10.7202/1110011ar |
| 2023 | Exploring Blockchain-Based Applications for Digital Copyright Protection | International Journal of Academic Research in Business and Social Sciences | 10.6007/ijarbss/v13-i8/17799 |
| 2022 | Virtual Authenticity: On Reinvention, Transformation and Functionality of Traditional Dancing during COVID-19 | Interdisciplinary Studies in Musicology | 10.14746/ism.2022.22.6 |
| 2025 | Infrastructures of Musical Globalization, 1850–2000: Introduction | New Global Studies | 10.1515/ngs-2025-0003 |
| 2023 | The Dominance of Gamelan in South Korea in a Discursive Perspective | KnE Social Sciences | 10.18502/kss.v8i15.13904 |
| 2023 | Coke Studio: A Strategic Tool for Pakistan’s Cultural Diplomacy | SSRN Electronic Journal | 10.2139/ssrn.4622050 |
| 2024 | TÜRK HALK MÜZİĞİ VE MEDYA İLİŞKİSİ İÇERİSİNDE ŞEKİLLENEN ARABULUCU BİR TÜR: BAĞLAMA ETÜTLERİ | Türkbilig | 10.59257/turkbilig.1506825 |
| 2023 | Music and Memory | Unknown | 10.1007/978-3-030-93789-8_10-1 |
| 2024 | Egypt’s Geopolitical Alignment via the Digital Humanities | Journal of Central and Eastern European African Studies | 10.59569/jceeas.2023.3.2.172 |
| 2024 | ‘Repeat play’: Musical Minimalism in the Processes of Samuel Beckett’s Late Drama | Journal of Beckett Studies | 10.3366/jobs.2024.0432 |
| 2025 | An Ethnomusicological Approach to Culture in Culturally Relevant Pedagogies and Curricula | IGI Global eBooks | 10.4018/979-8-3373-2955-0.ch019 |
| 2025 | Afro Hip Hop Culture and Youth Resistance of Gerontocracy in Africa | Unknown | 10.1108/978-1-83708-222-320251006 |
| 2025 | Aineeton kulttuuriperintö: Käsite, käytäntö, politiikka | Unknown | 10.21435/tl.296 |
| 2025 | Music and Song: Tom Munnelly’s View of Ownership | Genealogy | 10.3390/genealogy9040102 |
| 2025 | Falsehood Flies! Music's Copyright Coup | Socialism and Democracy | 10.1080/08854300.2025.2580834 |