Mortevivum (2024), published by The MIT Press, has been cited 30 times — enough that OpenAlex puts it in the top 1% of works in its field and year. Beyond that, it is used in teaching.
Mortevivum by Kimberly Juanita Brown was published by The MIT Press in 2024. Conceptually, the work connects to Genocide, Colonialism, History, White (mutation) and Photography. The book was recognised: ACLS Open Access Book Prize & Arcadia Open Access Publishing Award finalist (2026) — Multimodal.
OpenAlex records 30 citations. That places it in the top 1% of works in its field and year of publication. Citations peaked in 2026 with 27 citing works. Notable citing venues include Duke University Press eBooks, Photography and Culture and GeoHumanities. The citing works include 19 book chapters, 3 journal articles and 1 dissertation. They come from 2 countries, led by Bangladesh and Canada.
In teaching, it is discussed in 1 recorded lecture. Its subject matter aligns with Quality Education among the Sustainable Development Goals.
Crossref Event Data: historical records unavailable locally—not zero events. The public API was retired on 23 April 2026. Other attention sources may still be shown.
Heuristic signals from citation composition, usage, and media activity. Learn about all roles ↗
Analysis of 30 citing works. 6.7% come from the Top 10 institutions. See the full list on OpenAlex →
Community platforms and curated expert sources (newsletters, blogs, podcasts), plus historical Crossref Event Data where locally archived.
Expert newsletters, subject blogs, and science podcasts from pilot_sources.tsv
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…t7f 3 Levin, M. (2023). Collective Intelligence of Morphogenesis as a Teleonomic Process (pp. 175–198). https://doi.org/10.7551/mitpress/14642.003.0013 4 Levin, M. (2022). Technological Approach to Mind Everywhere: An Experimentally-Grounded Framework for…
No verified course syllabi found in open university repositories.
| Year | Title | Venue | DOI |
|---|---|---|---|
| 2026 | “He Thinks He Will Submit” | Unknown | 10.1215/9781478062691-003 |
| 2026 | Bibliography | Unknown | 10.1215/9781478062691-011 |
| 2026 | Appendix | Unknown | 10.1215/9781478062691-009 |
| 2026 | Picture Number 1 | Unknown | 10.1215/9781478062691-002 |
| 2026 | “Sung Their Praise to Listening Worlds” | Unknown | 10.1215/9781478062691-005 |
| 2026 | Introduction | Unknown | 10.1215/9781478062691-001 |
| 2026 | Conclusion | Unknown | 10.1215/9781478062691-007 |
| 2026 | Notes | Unknown | 10.1215/9781478062691-010 |
| 2026 | “Our Essentially Aesthetic or Art-Nature” | Unknown | 10.1215/9781478062691-004 |
| 2026 | Ethiop in the Black Forest | Unknown | 10.1215/9781478062691-006 |
| 2026 | The Poem, a Smile, and Black Feminist Placemaking | GeoHumanities | 10.1080/2373566x.2026.2631450 |
| 2026 | The Cynosure of the Eyes of Harlem | Unknown | 10.1215/9781478062066-003 |
| 2026 | Shelter in Place | Unknown | 10.1215/9781478062066-006 |
| 2026 | Bibliography | Unknown | 10.1215/9781478062066-008 |
| 2026 | Introduction | Unknown | 10.1215/9781478062066-002 |
| 2026 | Making Home in Exile | Unknown | 10.1215/9781478062066-005 |
| 2026 | To Feel Perfectly at Home | Unknown | 10.1215/9781478062066-004 |
| 2026 | Notes | Unknown | 10.1215/9781478062066-007 |
| 2026 | Seduced Whole | Unknown | 10.1215/9781478061632-002 |
| 2026 | Racial Renovations | Unknown | 10.1215/9781478061632-003 |
| 2026 | Bibliography | Unknown | 10.1215/9781478061632-009 |
| 2026 | Coda | Unknown | 10.1215/9781478061632-007 |
| 2026 | Racist Intimacies | Unknown | 10.1215/9781478061632-006 |
| 2026 | The Hapacalypse? | Unknown | 10.1215/9781478061632-005 |
| 2026 | Interlude | Unknown | 10.1215/9781478061632-004 |
| 2026 | Notes | Unknown | 10.1215/9781478061632-008 |
| 2026 | Introduction | Unknown | 10.1215/9781478061632-001 |
| 2025 | Looking with Nona Faustine | TDR/The Drama Review | 10.1017/s1054204325100956 |
| 2025 | Computational Photography: The Production of Perpetual Targets | Photography and Culture | 10.1080/17514517.2025.2516337 |
30 citations, Gold access — drawn from the sources cited throughout this page. Save it as a PDF to cite or share this impact story elsewhere.
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